The main outputs are controlled by the gain knob (again, a stepped attenutor), and can output a maximum level of +24dBu, while the limit of the fixed outputs is +18dBu. Male XLRs provide the main outputs, with adjustable gain, and a pair of fixed-level secondary outputs. On the back, there are input connections for S/PDIF, AES3, Toslink and USB. The display shows the input source, sample rate, and gain settings for the main and headphone outputs, and to the right there’s a small but informative level meter. (Its appearance might put off some hi-fi enthusiasts, but they don’t know what they’re missing out on!) The front panel contains a power switch, mute button, source-selection knob, display, gain knob, headphone gain knob and a headphone jack both the main gain and the headphone gain controls are actually stepped attenuators. The Solaris is instantly recognisable as a Crane Song product, due to the mint-green plastic knobs and Dave’s signature printed at the right-hand end of the front panel. His designs have been proven to deliver both of these time and time again, which is why I got very excited at the prospect of his new Solaris converter arriving at my studio! Overview I met him at an AES convention 20 years ago, and fondly remember him very vividly explaining the design flaws of the original UREI 1176 compressor - and then ending the private lecture with the words, “I guess that’s why people love it so much.” To me, Dave is all about designing ‘perfect’ outboard, which means placing equal importance on impressive technical specifications and pleasing sound. Dave Hill’s uncompromising converter design focuses on making clock jitter as low as possible, with impressive results.Ĭrane Song’s founder Dave Hill has long been regarded as one of the gurus of pro audio design.
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